Cull a 5,000-frame shoot down to your strongest keepers in minutes. Every frame is scored for focus, exposure, noise and composition, near-identical bursts are grouped, and your picks land in Lightroom or Bridge as stars and colour labels.
The lens decides what counts as a keeper. Change it per batch — the same images graded under a wedding lens and a stock lens give you different picks, on purpose.
Eyes open, real emotion, decisive moments
Speakers, reactions, coverage variety
Flattering pose and expression, eye sharpness
Peak action, sharp subject, storytelling
Light, depth, level horizon, no people penalties
Sharp animal eye, behaviour, clean background
Sense of place, story frames, mixed subjects
Straight verticals, clean lines, window detail
Isolation, even light, edge-to-edge sharpness
Agency triage, marketability, saturation checks
Newsworthy, unstaged, context over polish
Mixed first-pass triage
Most culling tools score frames. The differences that matter show up on your second shoot, not your first.
Nothing to install, works on a laptop or a borrowed machine
Every reject explains itself instead of showing a number
You choose the stars and colour for each tier, once
XMP sidecars Lightroom, Bridge, Capture One and darktable already read
Full-resolution originals and RAW never leave your device
Credits instead of a subscription you keep paying between shoots
It scores every frame for focus (sharpness), noise, exposure and composition, then clusters near-duplicate frames with a perceptual hash. You keep the strongest of each cluster and drop the rest in one click — a 5,000-frame shoot becomes your best few hundred in minutes.
No. You pick a lens per batch — wedding, event, portrait, sport, landscape, wildlife, travel, architecture, product, stock, editorial or general — and the grading changes with it. A wedding lens cares about open eyes and real expressions; a wildlife lens cares about a sharp animal eye and a clean background; a stock lens cares about marketability. The stock rules only ever apply when you choose a stock or editorial lens.
Yes. Near-identical frames are grouped into clusters using a 128-bit perceptual hash plus colour, chroma and edge-orientation maps, with EXIF timestamps pairing rapid-fire bursts. Each cluster gets one suggested keeper and you can promote a different frame at any time.
Yes. Folder scans run in managed chunks so a multi-thousand-frame shoot uploads and grades continuously, and you can pause, stop and resume without losing the work already done.
Yes. Every tier maps to a star rating and a colour label that you set once in Settings, and those are written into XMP sidecars — so Lightroom, Bridge, Capture One, Photo Mechanic and darktable read your picks natively. You can also embed metadata directly into JPEGs.
Yes. Lenient, Standard, Strict and Ruthless presets cover most workflows, and Custom mode exposes focus tolerance, noise tolerance and how many near-duplicates to keep per cluster. Individual checks — market saturation, composition, anatomy, text, face integrity, megapixels — can each be switched off.
Yes — Canon CR2/CR3, Nikon NEF, Sony ARW, Adobe DNG, Fujifilm RAF, Olympus ORF and Hasselblad 3FR. The embedded preview is extracted in your browser; only a 1280px JPEG (~150–300 KB) is uploaded. RAW originals never leave your machine.
Yes. Cull-only uploads skip keywording entirely; you can run keywording later on any batch from the Vault if you want it.
Culling is 1 credit per image on any plan, with a free monthly allowance. Re-runs cost 1 credit per image; cached passes don't. There is no per-seat desktop licence.
Free tier included. No card required, nothing to install.
[ LAUNCH STUDIO ]