One grading standard across every shoot you take in
Culling, quality control and keywording driven by settings rather than by whoever happened to run the import — with reversible decisions and an audit trail of reasons.
Built for volume teams
- Settings-driven gates, thresholds, star mapping and colour labels
- Quality control across focus, noise, exposure, composition, anatomy and text
- Written reasoning on every reject, and every reject reversible
- Large folder drops chunked, pausable, resumable and reconnectable
- AI titles, descriptions and keywords for archive and licensing search
- Metadata delivered as XMP, embedded fields, ExifTool script or CSV
Fits the pipeline you already run
- LIGHTROOM CLASSIC
Stars, labels, titles and keywords on import
- ADOBE BRIDGE
Ratings and labels visible with no plugin
- CAPTURE ONE
Sidecars read natively
- PHOTO MECHANIC
IPTC title, description and keywords
- DARKTABLE & DIGIKAM
Sidecars picked up on folder scan
- AGENCY CSV
Shutterstock, Adobe Stock, Getty and Alamy formats
FAQ
Can we enforce one grading standard across shooters?
Yes. Gates, thresholds, star mapping and colour labels are all settings-driven, so every shoot is graded against the same rules regardless of who ran the import.
Does it handle very large batches?
Yes. Large folder drops are processed in managed chunks with pause, stop, reconnect and resume, and runs continue in the background while you work elsewhere.
How do results reach our DAM?
Through XMP sidecars, embedded JPEG/PNG/TIFF metadata, an included ExifTool script for RAW originals, and CSV export for systems that ingest tabular metadata.
Is anything deleted automatically?
No. Rejects are a reversible state with written reasoning attached, so nothing leaves the shoot without a human decision.
Standardise your culling pipeline
Start free, scale with credits. Nothing to install.
[ LAUNCH STUDIO ]